UPCOMING SHOWS

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2026 TVZ press room

Highway Kind present A Birthday Celebration of Townes Van Zandt

MARCH 7 @ 7PM | DOORS 6PM | UPSTAIRS

An evening full of the songs and stories from the life of this late, legendary, and iconic Texas singer-songwriter.

While finding success as a performing singer-songwriter was elusive and fraught with challenges, many of which were his own making – Townes Van Zandt’s songs touched and influenced many and still do to this day. Emmylou Harris, The Cowboy Junkies, Guy Clark, Willie Nelson, Nanci Griffiths, Steve Earle are just a few of countless artists that have covered Van Zandt’s songs and specifically pointed to him as an inspiration. While not being exactly auto-biographical, Van Zandt’s better-known songs often deal with darkness and feature lonely, troubled characters infused with themes of leaving, life on the road and love left behind. Having toured as a soloist nearly constantly during his career and preferring dive bars to concert halls, Townes was a gifted and able performer, mixing in talking blues, choice upbeat covers and practicing his jokes and one liners with the audiences all along the way. Highway Kind features: Dan Beller-McKenna, pedal steel + dobro, Scott Heron – mandolin,  Ann Holbrook – voice, Nick Phaneuf – upright bass, Seth Warner – voice + guitar and Tom Yoder – fiddle + guitar.

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BREAK FREE

DJ Vers Queen presents: Break Free

MARCH 7 @ 10PM | DOORS 10PM | UPSTAIRS

DJ Vers Queen is bringing back the 2010s.

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AMELIA DAY

Amelia Day w/ Alice Kristiansen

MARCH 8 @ 7PM | DOORS 6PM | UPSTAIRS

Standing at the intersection of folk, rock, and pop, Amelia Day blends heartfelt storytelling, raw delivery, and unforgettable melodies into music that feels both fresh and familiar — like rediscovering an old favorite.

Amelia Day is a musical jack-of-all-trades. Standing at the intersection of folk, rock, and pop, Day blends heartfelt storytelling, raw delivery, and unforgettable melodies into music that feels both fresh and familiar — like rediscovering an old favorite. A self-described writer before anything else, her perceptive lyricism extends far beyond her 23 years, with lines reminiscent of songwriting greats like Joni Mitchell and Paul Simon. As the Spokesman-Review notes, Day has a signature style that features “wordplay, double-meanings and rhythmic variations,” with themes ranging from journeying into adulthood to climate change. Many of Day’s songs are also shaped by her intimate relationships, where her queerness and candor take center stage.

Day’s upcoming EP EGO TRIP is her most personal project yet. Lead single “Lady Los Angeles” traces the sting of betrayal after discovering infidelity, while the rest of the EP takes listeners on an intimate journey through her grieving process. “The character of ‘Lady Los Angeles’ is representative of my ex’s obsession with attention and fame at all costs and my own fear of being seduced by those same temptations,” Day explains. “It felt like she was having an affair, not only with another person, but with the often-self-aggrandizing culture of Los Angeles itself.”

Born and raised in the small town of Sumner, Washington — the self-proclaimed “Rhubarb Pie Capital of the World” — Day has been drawn to music-making since she could walk. “I had no idea what I was doing, but I had a toy ukulele and drum, and my parents had an upright piano that I would mess around on,” she recalls. “I could spend hours just playing around on the keys, making up little songs, which my piano teacher recognized and encouraged.” By middle school, Day was already writing her own songs “about myself and my (very angsty) preteen feelings.”

Once Day got to college, she began performing her originals publicly, though not without roadblocks. “I had horrible stage fright up until mid-college,” she admits. Starting with farmers markets and local restaurants, Day gradually built up the confidence and the following that would lead to sold-out shows in Seattle, Boston, and D.C., as well as festival appearances at Bumbershoot (“one of my favorite sets I’ve ever played…there was a line of people outside waiting to get in!”), Capitol Hill Block Party, Folklife Festival, and Seattle PrideFest — all on her own. “I’m proud of getting to this point as an artist completely solo,” Day says.

Day is proficient on guitar, keys, bass, and drums, often switching between instruments during her live performances. At other times, she lets the music take over — stepping away from the instruments to simply sing and dance with mic in hand. She says she aims to “create an environment of complete presence and joy, but also healthy catharsis of all the worst emotions.”

As the Vanderbilt Hustler highlights, her set is “energetic, emotional and full of fun, just like all of her music.” Fans often leave Day’s shows on a high, blown away by her powerhouse vocals (drawing comparisons to Brandi Carlile, Norah Jones, Alanis Morissette, and others), and charmed by the joy she exudes while onstage.

Already boasting over a million streams on a number of songs, Amelia Day continues to prove herself as both a songwriter and performer, emerging as a voice destined to resonate for years to come.

 

Residing in Stonington, Maine, Alice Kristiansen’s music brings you back to late night talks on the beach with your best friend. Her lyrics are raw and honest, but her dreamy vocals have a way of making even the heaviest moments feel a little lighter.

Alice first got her start on YouTube, where she has now surpassed 130 million views. She’s quietly built a loyal following of over 1.5 million fans who connect to her vulnerable lyrics and effortless sound. With over 60 million streams, co-signs from FINNEAS, Shawn Mendes, and Alec Benjamin, and sold-out shows all over the country, Alice has grown into an artist with a sound that feels both familiar and completely new.

With her highly anticipated debut original album on the way and a headline tour this fall, Alice is more ready to step into her next era.

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The Eclectic Groove Symposium feat. Dreadnaught w/ The Tercet

MARCH 9 @ 7:30PM | DOORS 6:30PM | UPSTAIRS

Where musicians stretch out and listeners lean in.

The Eclectic Groove Symposium is a curated gathering for listeners who crave adventurous, instrumental, improvised & composed music, performed by contemporary live musicians.

May this be the first of many wild sonic journeys.

Curated & presented by Brett Tiede.

 

Dreadnaught are a long-running Portsmouth, New Hampshire–based experimental/progressive rock band known for a shape-shifting blend of rock, jazz, and off-kilter compositional oddity—virtuosic, eclectic, and often wry in tone. Formed in 1996 (originally at the University of New Hampshire) and anchored by Bob Lord (bass), Rick Habib (drums), and Justin Walton (guitar), they’ve become a Seacoast institution, including a prominent run as the house band for The Music Hall’s “Writers on a New England Stage” series.

 

The Tercet are a Portsmouth, New Hampshire–based instrumental trio—Camden Riley (guitars/synths), Rob Littlefield (bass/electric upright), and Maxwell Elkus (drums)—known for tight, exploratory “instrumental prog rock” that moves between melodic hooks, odd-meter turns, and jam-forward dynamics. They’ve released self-produced EPs like E.R.L. I (2023) and E.R.L. II (2024), recorded and mixed by the band themselves.

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Some Velvet Sidewalk w/ Plant Fight & Dummy Ache

MARCH 11 @ 8PM | DOORS 7PM | UPSTAIRS

If you love indie rock with real heart & zero nostalgia-bait, this one’s for you—Some Velvet Sidewalk is a living piece of underground pre-grunge, post-punk music history. Come witness them at the Press Room in all their glory.

Some Velvet Sidewalk emerged from Eugene, Oregon in the late ’80s as a fiercely independent force in American underground rock. Led by songwriter Al Larsen, the band carved out a raw, melodic, and emotionally charged sound that sat somewhere between indie pop, punk, and noise—earning them a cult following as they released early tapes and albums like From Playground ’Til Now and Appetite for Extinction. Along the way, SVS crossed paths with (and shared members and collaborators from) pivotal bands of the era, including Bikini Kill, Team Dresch, Dinosaur Jr., and Mecca Normal—placing them squarely in the connective tissue of the Pacific Northwest’s pre-grunge and riot grrrl-adjacent underground.

Through the early-to-mid ’90s, Some Velvet Sidewalk released a string of critically loved records (Avalanche, Whirlpool, Generate!) while touring relentlessly and evolving their lineup and sound—adding guitars, keys, and texture without losing their restless core. Though the band quietly disbanded in the late ’90s, their legacy lives on through compilations, reissues, and the enduring influence of their members across multiple scenes. SVS remains one of those rare bands whose story rewards discovery: inventive, unpretentious, and deeply human.

 

Plant Fight is a New Hampshire–based indie rock band blending sharp hooks, driving rhythms, and a scrappy DIY edge. Rooted in post-punk tension and classic college-rock melody, their songs move fast, hit hard, and stay memorable without overthinking it—making them a standout live band with an unpretentious, high-energy presence that feels built for the room.

 

Dummy Ache’s music shimmers, swells, and explodes, building epic soundscapes where fragile melodies crash headlong into walls of reverb and noise. Part shoegaze, part dreamy indie rock, part fuzz-ravaged chaos, Dummy Ache takes cues from Yo La Tengo, Galaxie 500, Slowdive, and Dinosaur Jr. while carving out something raw, massive, and mesmerizing.

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TONYMACK BAND

The TonyMack Band

MARCH 13 @ 7PM | DOORS 6PM | UPSTAIRS

We promise you’ll have a hard time staying in your seat…..

For over 10 years this seven-piece Classic Rock/R&B Band has rocked the NH, ME &, Ma seacoast playing some of the Deep Tracks you don’t usually hear bands play, but love. Founded in 2012 by Tony Blockis on guitar who’s roots in the NY music scene, played in numerous bands in the 70’s and 80’s throughout the tri-state area. In addition, as a recording studio owner, engineer, and producer he has worked with artists like Tommy Shaw (Styx Band), Richie Cannata (Billy Joel Band) along with Atlantic Records. Musical influences include Jeff Beck, Eric Clapton, Jimmy Page, Stevie Ray Vaughn, Larry Carlton, Santana, Joe Walsh, and David Gilmour, just to name a few.

On vocals, harmonica and percussion, Paul Mackey has played with Duke Robillard & James Montgomery. Paul brings his soulful vocals to songs by artists such as Michael McDonald, Gregg Allman, Delbert McClinton, James Brown, etc.

On keyboards, the talented local legend Scip Gallant. Scip was the original piano guy for Jazzmouth and Beat Night at the Press Room for over 20 years, he also played with KD Bell, Sweet Roy Jones and Rosco Gordon (Godfather of SKA).

Raymond Sykes, “The Rev”, Mr. Funk himself, holding the band together on bass, has played with Luther Johnson, Sam McClain, Blues Party & KD Bell. Rounding out the rhythm section, “The Cincinnati Kid” sensational rock drummer Roger Elkus keeps it tight.

On horns, the soulful Clarence Clemons like Saxophone sound of Tommy Hoctor accompanied by the Trent Austin trained trumpet of Howie Singer make up “The TMB Horn Section” and bring songs from Chicago, Bruce Springsteen, Tower of Power, Average White Band to a new level.

Introducing “THE TONYMACK BAND”.

We promise you’ll have a hard time staying in your seat…..

Tony Blockis Guitar, Vocals

Paul Mackey Lead Vocals, Harmonica & Percussion

Scip Gallant Keyboards

Raymond Sykes Bass

Roger Elkus Drums, Vocals

Tommy Hoctor Saxophone

Howie Singer Trumpet, Flugel Horn

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NFT Boyz: Hot Tub Time Machine

MARCH 13 @ 10PM | DOORS 10PM | UPSTAIRS

Go back to the future.

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CELTIC SESSIONS UPSTAIRS

Celtic Session UPSTAIRS: St. Paddy's Celebration

MARCH 14 @ 1PM | DOORS 12PM | UPSTAIRS

Join us for a very special Celtic Session, where the gang will bring their traditional Irish ditties to the stage upstairs & add some pro sound & lights into the mix.

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LAST WALTZ

Continuum Arts Collective and The Press Room Present: The Last Waltz (SAT EVENING SHOW)

MARCH 14 @ 6PM | DOORS 5PM | UPSTAIRS

The Seacoast’s finest perform the all-time greatest concert in its entirety.

A recreation of The Last Waltz to help benefit CONTINUUM ARTS COLLECTIVE.

Featuring: Courtney Brocks, Christa Blue, Martin England, Greg Glasson, Gentleman Jim Rudolf, Dan King, Joe Young, Stu Dias, Jay Cohen, Duncan Watt, Brian McGrath, Ari Landau, Tim McCoy, Mike Fernald

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LAST WALTZ

Continuum Arts Collective and The Press Room Present: The Last Waltz (SUN MATINEE SHOW)

MARCH 15 @ 12PM | DOORS 11AM | UPSTAIRS

The Seacoast’s finest perform the all-time greatest concert in its entirety.

A recreation of The Last Waltz to help benefit CONTINUUM ARTS COLLECTIVE.

Featuring: Courtney Brocks, Christa Blue, Martin England, Greg Glasson, Gentleman Jim Rudolf, Dan King, Joe Young, Stu Dias, Jay Cohen, Duncan Watt, Brian McGrath, Ari Landau, Tim McCoy, Mike Fernald

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Multi-Grammy Trumpeter & Composer RANDY BRECKER + Internationally Acclaimed Saxophonist ADA ROVATTI (5:45PM)

MARCH 15 @ 5:45PM | DOORS 5PM | UPSTAIRS

Please join us for this very special show with two illustrious visiting jazz artists: internationally prominent, multi-Grammy Trumpeter RANDY BRECKER and worldwide acclaimed Saxophonist ADA ROVATTI. These outstanding artists are visiting as part of the University of New Hampshire’s annual Clark Terry Jazz Festival for UNH students and have graciously agreed to also perform for the public. 

Please join us for this very special show with two illustrious visiting jazz artists: internationally prominent, multi-Grammy Trumpeter RANDY BRECKER and worldwide acclaimed Saxophonist ADA ROVATTI. These outstanding artists are visiting as part of the University of New Hampshire’s annual Clark Terry Jazz Festival for UNH students and have graciously agreed to also perform for the public. You will hear a mix of original compositions from their voluminous repertoire.

On stage with them will be members of the UNH Faculty Jazz Band:

Mark Shilansky, piano; Nick Grondin, guitar; Austin McMahon, drums; and Bronek Suchanek, bass. Two showtimes are offered.

Read About These Outstanding Musicians…

Randy Brecker, trumpeter and composer

Randy Brecker is a seasoned jazz veteran, a virtuosic trumpeter, and a prolific composer. His horn playing has graced the bandstands and recordings of the greatest jazz artists of our time: Horace Silver, Art Blakey’s Jazz Messengers, Charles Mingus, Clark Terry, Joe Henderson, Duke Pearson, Frank Foster, the Thad Jones/Mel Lewis Orchestra, and more. He is known to be a “first call” studio musician because of his talent and his versatility in jazz, rock, and R&B. His trumpeting has energized innumerable studio sessions of artists ranging from James Taylor, Bruce Springsteen and Parliament-Funkadelic to David Sanborn, Jaco Pastorius, and Frank Zappa.

In 1967, Brecker ventured into jazz-rock with the band Blood, Sweat & Tears, recording on their first album “Child Is Father to the Man.” After leaving the band in 1969, Randy appeared with Horace Silver and many other jazz acts feeling a need to fulfill his desire to improvise freely. By 1973, Randy and his sax playing brother, Michael, had become the most in-demand studio players in New York City.

In 1975 they decided to form their own band, “The Brecker Brothers,” becoming a band of immeasurable influence and impact. Hailed by pop and jazz critics alike, their first album, which Randy produced, was nominated for four Grammy awards. The brothers went on to record a total of six albums and receive seven Grammy nominations between 1975 and 1981. They reunited ten years later in 1992 releasing “Return of the Brecker Brothers” and “Out of The Loop” (GRP Records), receiving two Grammy awards, and resulting in tours in the U.S. and Europe.

And the Grammys kept coming!

With Randy as bandleader, their album “34th N Lex” (ESC label) featuring Michael Brecker, David Sanborn, Fred Wesley, and Ronnie Cuber, and his regular working band won a Grammy in 2004 for “Best Contemporary Jazz Album.” And the recently released album “Some Skunk Funk” featuring Michael Brecker and the WDR Big Band won another Grammy in February 2025 for “Best Large Ensemble CD.”

Randy Brecker is a true musical pioneer who continues to perform extensively around the world in a variety of settings. His quest for musical excellence while constantly expanding his trumpet style and encyclopedic catalogue of compositions are unparalleled.

We are fortunate that Randy and Ada are part of this year’s Clark Terry Festival at UNH and delighted they will perform two public shows at The Press Room.

 

Ada Rovatti, saxophonist

Italian native Ada Rovatti started playing saxophone in high school after years of classical piano training. After winning a scholarship from Berklee College of Music she divided herself between Boston and Italy. In Boston she studied with Joe Viola, George Garzone and Fred Lipsius. In Italy she regularly performed in WDR Big Band with guest artists such as Phil Woods, Lee Konitz, and many more.

After spending a year in Paris touring Europe and Africa, Ada moved to New York City. She has performed in important festivals such as NYC’s JVC Festival, as well as festivals in Rochester, Detroit, Montreal, San Francisco, NorthSea, the International Assn. of Jazz Educators annual event, and more. She is a regular on the ever-popular JazzCruise, performing with an impressive and diverse list of artists and bands such as: Aretha Franklin, Herbie Hancock, Jimmy Heath, Patti Austin, Mike Stern, Anne Ducros, and many others.

In 2003 she released her first 2 CDs as a bandleader with the Elephunk Band and with her quartet with guests Randy Brecker, Mike Stern and Don Alias. Ada was part of two Grammy-winning CDs by Randy Brecker, “34th N Lex” and “Rocks” with NDR Big Band along with David Sanborn, and on the acclaimed CD of John McLaughlin “Industrial Zen.” She also appeared in the movie ‘Mona Lisa Smile’ featuring Julia Roberts.

As a band leader she has released six CDs: “Ada Rovatti & The Elephunk Band,” “Under The Hat,” “Airbop,” “Green Factor,” “Disguise” and “Brecker Plays Rovatti -Sacred Bond.” She has toured with the Brecker Brothers Band Reunion, recording a live double DVD/CD from NY’s Bluenote Jazz Club.

In 2021 she was invited as a guest to perform with the WDR Big Band of Cologne, Germany, in a special concert titled “4 Tenors” along with Bob Mintzer, Bob Malach and Paul Heller. In recent years Ada has been touring and recording for various artists, arranging, producing, and working on her brand-new released project “The Hidden World of Piloo” introducing her also as songwriter and string orchestrator with special guests Fay Claassen, Niki Haris, Kurt Elling, and others.

 

Mark Shilansky, piano

Jon Garelick of the Boston Globe called Mark Shilansky an “inventive, modern mainstream jazz pianist.”

Mark provides melodic improvisation and infectious compositions whether performing solo, with jazz luminaries, in his classrooms as professor at Berklee College of Music or University of New Hampshire. Shilansky has six recordings as a leader including his 2007 “Join the Club,” a mostly Latin Jazz affair featuring David Bowie and saxist Donny McCaslin, and his 2013 “Fugue Mill,” the debut of his Jazz/Bluegrass/Celtic project featuring violin phenom Sara Caswell. Mark is also featured on over 60 recordings as a keyboardist, vocalist, composer/arranger, or producer, and in performance as band member for such artists as the New York Voices, Luciana Souza, and David Thorne Scott.

As an artist he embraces the history of the styles in which he works, while seeking connections between them as a way of expressing a personal musical vision, characterized by lush harmonies, the exploration of the line between composition and improvisation, and an ever-present sense of humor. His works have been recorded by Robin McKelle, Kim Nazarian, and by Jazz All-State and College ensembles around the world.

 

Nick Grondin, guitar

An experienced performer and award-winning composer, Nick Grondin has presented his music to audiences throughout the U.S. and Europe, including France, Italy, Germany and at the Panama Jazz Festival. On guitar, he leads the Nick Grondin Group, which performs in the Boston area and New York. He presents his music as modern musical storytelling—inspired by rock, folk and contemporary jazz styles.  The group’s recent album, “A View of Earth,” features pianists Jon Cowherd and Michel Reis and vocalist Aubrey Johnson, and can be heard on streaming platforms.

Nick also is Associate Professor of Ear Training at Berklee College of Music, as well as Artist Faculty in Guitar at University of New Hampshire and at MIT.  His teaching methods focus on building musicianship and applying it to real-world applications such as improvisation, songwriting and internalizing repertoire. He holds a Doctor of Musical Arts degree in Jazz Performance from the New England Conservatory in Boston, where he also received his Master of Music in Jazz Studies/Composition. He has studied with Miguel Zenon, Billy Hart, Donny McCaslin, Jerry Bergonzi, Frank Carlberg, Allan Chase, Dominique Eade, Dave Holland, and Ken Schaphorst.

 

Austin McMahon, drums

Austin McMahon performs regularly with Jerry Bergonzi and has recently performed and/or recorded with Sean Jones, George Garzone, Marquis Hill, Lionel Loueke, Ben Monder, Lage Lund, Kate McGarry, Noah Preminger, Jason Palmer and Alexa Tarantino. He has appeared as an opening act for Grammy award-winners Dianne Reeves and Esperanza Spalding. On tour, Austin has performed at Carnegie Hall, The Kennedy Center, at several jazz festivals around the world, and at jazz clubs, concert halls and theaters throughout the US, Italy, Germany, Finland, France, China and India.

Austin is the winner of the 9th annual Independent Music Awards (IMA) for Best Jazz Song and Nominee for Best Jazz Album in the 11th annual IMA. His debut CD, “Many Muses,” was selected as a CD Baby’s “Editor’s Pick” and described as “subtle, reverential to tradition, and thoroughly new.” He was recently featured on NPR’s JazzSet with Dee Dee Bridgewater, NPR’s WLRN station in Miami, and on WGBH radio in Boston.

A dedicated educator, Austin currently teaches at Berklee College of Music, New England Conservatory, and UNH. He was also a Teaching Assistant for Jazz Improvisation at Harvard University for six years, receiving the “Certificate of Distinction in Teaching.”

 

Bronek Suchanek, bass

Bronek Suchanek was trained at a conservatory in his native country of Poland. He subsequently performed throughout Europe, including such venues as the Montreux and North Sea (Holland) jazz festivals. He moved to Sweden in 1975 and became a citizen in 1982. In 1990 he moved to the USA and became a citizen in 2004. Since his arrival in Boston, he has become one of the most sought-after bassists in New England. Bronek has been artist faculty in double bass at the University of Southern Maine since 1994, and at the University of New Hampshire since 2016. Other teaching includes a master class for Bednarska School of Music in Poland; jazz courses at the Summer Jazz Academy in Kraków and Pulawy, Poland; and more.

Equally at home with classical music as with jazz, Bronek has performed with several symphony orchestras as well as many prominent artists such as Yo-Yo Ma, Pinchas Zukerman, Simone Porter, Alexander Schimpf, Lauri Pora, Dimitri Berlinsky, Joyce Yang, and Mark Kaplan. His jazz performances have included performing with the Artie Shaw Orchestra, the Woody Herman big band, the Benny Goodman Tribute Band, and more. He has also performed with artists Rebecca Paris, Amanda Carr, James Williams, Alan Dawson, Herb Pomeroy, Joe Puma, and Chris Potter. In addition, he has performed at many notable jazz festivals, including Newport, Montreal, Krakow, Wroclaw, Poland, and Germany. He has toured in Taiwan, Brazil, Argentina, Canada, Turkey, and the U.S.

 About UNH’s Annual Clark Terry Jazz Festival and This Show

Each year, the University of New Hampshire Music Department has presented the Clark Terry/UNH Jazz Festival. School jazz ensembles from New England and beyond have come to campus to showcase their talents and be evaluated and coached by top-notch jazz performers and educators. At its inception, originally curated by Professor David Seiler, students and their teachers were also treated to performances and clinics by legendary jazz trumpeter Clark Terry and some of his musical peers, along with the UNH Jazz Band and Faculty Jazz Group.

Clark Terry’s and Dave Seiler’s legacies of improvisation and education continue, now under the reigns of Nathan Jorgensen, Director of Jazz Studies at UNH. He continues to bring a wide range of jazz luminaries to the region for the annual Clark Terry Festival, most recently Sean Jones, Camille Thurman Green, Alexa Tarantino, Chris Potter, Marshall Gilkes, Christine Jensen, and, this year, Randy Brecker and Ada Rovatti.

The two public shows held on March 15 this year at The Press Room are cosponsored by the UNH Music Department and the Seacoast Jazz Society.

These shows continue the tradition where musicians participating in the Clark Terry Festival at UNH also perform a concert open to the public. We are grateful to The Press Room for hosting this event at their venue in Portsmouth.

 

About the Seacoast Jazz Society

The Seacoast Jazz Society founded in 1990 as a 501(c)3 nonprofit organization to spearhead the Seacoast’s annual jazz festival that was first held in 1983 and every year since except 2020. The mission of the Society expanded beyond the annual festival to focus on three areas: fostering a love and appreciation of jazz in the community, supporting local musicians, and helping aspiring young artists to pursue jazz through scholarships and education. To become a member, add your name to our mailing list, or obtain more information about jazz, visit our website at https://www.seacoastjazz.org.

(The ticket link below is for the 5:45 pm show. To reserve seats for the 8:30 show see the next listing below.)

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Multi-Grammy Trumpeter & Composer RANDY BRECKER + Internationally Acclaimed Saxophonist ADA ROVATTI (8:30PM)

MARCH 15 @ 8:30PM | DOORS 7:45PM | UPSTAIRS
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Clock Out, Retract, Condition, & Satiate

MARCH 16 @ 7:30PM | DOORS 6:30PM | UPSTAIRS

Mondays are for moshing.

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ST PADDY

St. Paddy's Day w/ The Pourmen & Carol Coronis (MATINEE SHOW)

MARCH 17 @ 3PM | DOORS 2PM | UPSTAIRS

Sláinte! Join us on one of our favorite days of the year for the biggest St. Paddy’s party around.

The Pourmen is a New Bedford, MA based band that blends diverse Celtic, Folk, Country and Punk Rock influences to craft heartfelt songs from the “Cobblestone Streets and Salty Pubs of the Whaling City” and always delivers a rousing live performance.

The Pourmen was established in January 2013 and played their first hometown show on Saint Patrick’s Day 2013. The band has since performed more than 350 shows at festivals, breweries, Irish pubs and other venues across the New England states encouraging folks to sing along to their tall tales and Irish classics.

As one reviewer noted, “If there were a maritime saloon located near a port city in Ireland, The Pourmen would be the house band, never stopping except to fill or empty their drinks.” – Bobby Forand, Motif Magazine, Providence, RI

The Pourmen have also supported touring acts such as The Dropkick Murphys, Flogging Molly, Gaelic Storm, Derek Warfield & the Young Dubliners, Flatfoot 56, The Tossers, The Mahones, The Kilmaine Saints, The Rumjacks and The Real McKenzies. Songs performed by The Pourmen can also be heard in beer commercials (DOT Ale, Moby Dick Brewery) and in a movie (“Whaling City”).

The Pourmen recently announced that they will shipping off for an Ireland Tour in 2026 with stops in Dublin, Kilkenny, Cork and Galway! The Pourmen are Katie Cooke (Fiddle), John Curtin (Tin Whistle, Mandolin), Kris Motta (Bass), Alex
Platt (Guitars), Rick Bennett (Tenor Banjo) and Ed Cardenas (Drums).

 

Carol Coronis has been firing up audiences in the Seacoast for over two decades and is known for her energetic performances in the regional area from rock and roots to Celtic and Middle Eastern music.

Armed with her cittern, a mandolin-on-steroids, Carol will be firing off kickass Irish tunes and songs from trad to contemporary.

Carol is a member of the N. H. State Council On the Arts Traditional Arts and Folklife Listing. She also hosts two radio shows on WUNH radio, Aegean Connection on Saturdays and The Ceili Show on Sundays.

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ST PADDY

St. Paddy's Day w/ The Pourmen & Carol Coronis (NIGHT SHOW)

MARCH 17 @ 7PM | DOORS 6PM | UPSTAIRS

Sláinte! Join us on one of our favorite days of the year for the biggest St. Paddy’s party around.

The Pourmen is a New Bedford, MA based band that blends diverse Celtic, Folk, Country and Punk Rock influences to craft heartfelt songs from the “Cobblestone Streets and Salty Pubs of the Whaling City” and always delivers a rousing live performance.

The Pourmen was established in January 2013 and played their first hometown show on Saint Patrick’s Day 2013. The band has since performed more than 350 shows at festivals, breweries, Irish pubs and other venues across the New England states encouraging folks to sing along to their tall tales and Irish classics.

As one reviewer noted, “If there were a maritime saloon located near a port city in Ireland, The Pourmen would be the house band, never stopping except to fill or empty their drinks.” – Bobby Forand, Motif Magazine, Providence, RI

The Pourmen have also supported touring acts such as The Dropkick Murphys, Flogging Molly, Gaelic Storm, Derek Warfield & the Young Dubliners, Flatfoot 56, The Tossers, The Mahones, The Kilmaine Saints, The Rumjacks and The Real McKenzies. Songs performed by The Pourmen can also be heard in beer commercials (DOT Ale, Moby Dick Brewery) and in a movie (“Whaling City”).

The Pourmen recently announced that they will shipping off for an Ireland Tour in 2026 with stops in Dublin, Kilkenny, Cork and Galway! The Pourmen are Katie Cooke (Fiddle), John Curtin (Tin Whistle, Mandolin), Kris Motta (Bass), Alex
Platt (Guitars), Rick Bennett (Tenor Banjo) and Ed Cardenas (Drums).

 

Armed with her cittern, a mandolin-on-steroids, Carol will be firing off kickass Irish tunes and songs from trad to contemporary.

Carol is a member of the N. H. State Council On the Arts Traditional Arts and Folklife Listing. She also hosts two radio shows on WUNH radio, Aegean Connection on Saturdays and The Ceili Show on Sundays.

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mercy brothers

The Mercy Brothers

MARCH 18 @ 7PM | DOORS 6PM | UPSTAIRS

Imagine Mississippi John Hurt and Duane Eddy colliding with acoustic psychobilly at Sun Studio, with Sam Cooke  (via a Screamin’ Jay Hawkins night out) on vocals.

The Mercy Brothers are a roots-forward collaboration between vocalist Barrence Whitfield and guitarist/producer Michael Dinallo, pairing Whitfield’s powerhouse R&B/soul presence with stripped-down, song-driven grit. Their sound leans into traditional blues, country/honky-tonk flavors, and raw old-time roots music rather than the full-tilt “shout” attack Whitfield is often known for.  They released the album Strange Adventure and have documented the project in live recordings (including a 2003 set in Oslo), and more recently a digital release titled Live on Long Distance.

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NEW EK CoE KNG PRESS 2 pdf

Earthkit w/ Cursed On Earth, Kong Moon, & Creator DGM

MARCH 19 @ 7:30PM | DOORS 7PM | UPSTAIRS

A lotta bang for very little buck.

Earthkit is an NH rock band blending weight, space, and restraint into songs that feel both grounded and crushing. Built on thick guitars and hypnotic grooves, their sound leans heavy without rushing, letting tension do the work.

 

For the last decade, multi-instrumentalist cousins Ryan Walters and Paul Justin Hollingsworth have written literal volumes of music, recording and performing as Cursed on Earth. While sharing both blood and instruments, the distinct fingerprints of their writing styles are evident in their prolific arsenal of songs. Rising from the Seacoast of New Hampshire, Cursed on Earth has built a home for their unique form of storytelling on the outskirts of traditional folk and bluegrass. Drawing unexpected texture from banjo, ukulele, and mandolin strings, Walters and Hollingsworth blend delicate melodies with intricate and driving guitar rhythms as they explore themes of fate, ghosts, wilderness, and the mysteries of time itself. With the addition of percussionist Sean Joseph Haney in 2017, Cursed on Earth solidified its reputation as a band of proper creative artists. Possessing an eclectic understanding of percussion, Haney brings a balance of talent and humility that stands out in the background and is worthy of moments in the spotlight. Propelling from this coalescence, in 2018 Cursed on Earth launched a Kickstarter campaign for the recording of Vol.2, one of four such volumes in the band’s catalog. With the support of a fan base a decade in the making, Cursed on Earth met their goal and entered the studio, enabling them to release Vol.2, both digitally and physically, in 2019.

Now a quartet including Curtis Barnes on cello, Cursed on Earth is in a constant state of development. Innovation and creativity are always front-of-mind.

 

“At its core, Kong Moon plays full-on rock and roll, but, there’s so much more. It’s steeped in the ’90s, touching on influences from late ’80s/early ’90s Sonic Youth, R.E.M., Quicksand, the fantastic jangles of Built to Spill, and, well, other things. But, at the core, Kong Moon, is Kong Moon – as vast as a giant skyscraper traversing gorilla, and as ethereal and essential as a full curiously glowing moon.” -Chris Hislop/Seacoastonline

 

Daniel George Murphy (DGM) is a singer songwriter with an edge. He created an original sound that is atypical and not what is expected of genre. He is based out of the New Hampshire seacoast and is originally from Boson, Massachusetts.

DGM began playing the bass/electric guitar at a very young age and is an ear trained musician. He found a sanctuary in the sounds of the electric bass which helped him to escape from the reality of a traumatic past. To this day, DGM uses music as his catharsis and believes that it is time to share his stories, thoughts, compositions, and music with the world.

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Green Pink Vintage Retro Typographic Movie Night Poster

R&B Night w/ D-Rowe Beatz

MARCH 20 @ 10:30PM | DOORS 10:30PM | UPSTAIRS

2000s, New School, & The Classics!

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NICK BOSSE

Nick Bosse & The Northern Roots w/ Justin Federico

MARCH 21 @ 6PM | DOORS 5PM | UPSTAIRS

Real country, no polish—Nick Bosse brings timeless songs, modern fire, and a full-room sound that proves country is a state of mind, not a zip code.

Nick Bosse is a New England-based, Nashville recording artist and songwriter whose distinctly authentic take on country music defiantly rejects the generic status quo of the genre pushed by the corporate music industry. With a unique sonic identity that builds on the groundwork laid by country icons with a modern approach, Nick is known for his ability to immerse his diverse and growing fanbase into a bygone world. Now, with a host of achievements under his belt, including hitting 2m streams on his single What Happened To Country, putting out his first Nashville album and winning a New England Music Award for Best Vocalist, Nick is traveling the Northeast to show that country music is not a “southern-only” genre of music, it is a state of mind that many share world-wide.

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LUNCH

MARCH 21 @ 10:30PM | DOORS 10:30PM | UPSTAIRS

A curated night of indie dance music that is ultimately bubbling to the teeth with dirt and gleam and everything in between. 

Served by:

DJ EVAREDY (Boston) (The Red Door, Middlesex Cambridge, The Quin House, W Boston).

 

Visuals by BARR (Portsmouth) (Butler Brothers) (EZLVR, NYC)

A curated night of indie dance music that is ultimately bubbling to the teeth with dirt and gleam and everything in between.

EVERYONE EATS AT LUNCH

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HAGGARD & CASHED

Haggard & Cashed

MARCH 22 @ 6PM | DOORS 5PM | UPSTAIRS

Haggard & Cashed is a 7-piece, triple-fiddle-wielding, honky tonkin’, country & western swing band feat. some of the finest musicians around.

Haggard and Cashed is a 7 piece, triple fiddle wielding, honky tonkin’, country and western swing band featuring some of the finest musicians in New England.

The band is led by renowned singer and fiddler Erica Brown and her husband, notable multi-instrumentalist, singer and songwriter Matt Shipman. You may recognize their names from their other bands, Darlin’ Corey and Erica Brown & The Bluegrass Connection.

This band is the culmination of years of this musical super-couple’s dream of putting the ultimate classic country band together, and it has finally come to fruition. They have been taking stages by storm around Maine for the last year.

The band is comprised of incredible, veteran musicians Ellen Carlson (fiddle, vocals), Steve Muise (fiddle), Dan Beller-McKenna (pedal steel guitar), Kris Day (bass, vocals) and Per Hanson (drums, harmonica, vocals). When you put all seven of these musicians on one stage it’s not short of magic! Their energy is infectious and their love for this music shines through.

This group will have you singing along to classic country and western swing favorites you may have forgotten you loved so much. Playing favorites from Merle Haggard, Johnny Cash, Ray Price, Pasty Cline, Asleep at the Wheel, The Time Jumpers, Dwight Yoakam, Emmylou Harris, Vince Gill, Dale Watson and even a few originals. Dust off your cowboy hat and boots and get ready for some triple fiddle harmony and good old fashioned twang.

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3.23.26 Press Room

Hell Beach w/ Ezra Cohen + The Big City Band, Jeez, & Lovewell

MARCH 23 @ 7:30PM | DOORS 6:30PM | UPSTAIRS

Hook-heavy Seacoast power-punk from Hell Beach, heart-on-sleeve ’90s-tinged alt-rock anthems from Ezra Cohen & The Big City Band, raw emo-charged indie from Jeez, and Lovewell’s dreamy shoegaze-leaning emo haze…come & get it!

Hell Beach are a diabolical power-punk/pop-rock ’n’ roll band hailing from Manchester, New Hampshire, known for high-energy, fun-first shows and hooky, melodic punk grit. They’ve released the EP Hell Beach (Aug 18, 2023) and the full-length BEACHWORLD (released Aug 9, 2024), with the latter recorded in part at Stabby Cat Recording (Manchester, NH) and Nada Recordings (Montgomery, NY).

 

Ezra Cohen & The Big City Band are a Dover, New Hampshire rock band led by singer/songwriter Ezra Cohen, channeling hooky, heart-on-sleeve ’90s-leaning power-pop/alt-rock in the lineage of The Replacements, The Lemonheads, and The Gin Blossoms. After years of Ezra releasing and touring solo material, the Big City Band era kicked the songs into full-band, riff-bright form—landing on releases like the DIY-punk EP Scream Your Head Off! (2024) and the full-length Worse For The Wear (released Oct 25, 2024 via Dead Broke Rekerds).

 

Jeez is a Seacoast/NH indie-rock band with a strong emo streak—built around raw, guitar-driven catharsis, emotionally charged vocals, and big, sprawling melodies delivered with an “urgent, livewire energy” in the room.

 

Lovewell is a MA/NH (New England) alternative/emo rock duo—Mark Palladino and Joe Bradshaw—formed in late 2018, after years playing in hardcore/metal bands. They pivoted into shoegaze-y, dreamy, emo-leaning indie rock (often nodding to influences like Tigers Jaw, Balance and Composure, and Title Fight) across releases like Some Songs (2021) and the cassette EP Around the Flowers (2022).

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give up

Diaspora Radio: Give Up by The Postal Service

MARCH 26 @ 9PM | DOORS 8PM | UPSTAIRS

The gang takes on The Postal Service.

In February 2003 an album came out on Sub Pop with no band or tour to support it.

Ben Gibbard (of Death Cab for Cutie) and Jimmy Tamborello started trading files on burned CDRs through the mail in December 2001. Gibbard said that the process of just reacting to and editing instrumentals from Tamborello freed him from his writing process for Death Cab and let him follow his muse to place it didn’t ordinarily take him.

The songs on Give Up are both intimate and alienating. Organic and mechanical.

For a certain cohort the album was an inexplicable part of the scenery as they came of age. And what at first seemed like a novelty bedroom pop collaboration paved the way for some much modern indie pop.

Never conceived of as a live band The Postal Service- Give Up is a unique chance for Diaspora Radio to do what it does best: bring you into a room to experience an entire album in one sitting with a room full of friends and strangers.

The Band-

Lillie Cavanaugh

Michelle Faria

Andrew Strout

Nick Phaneuf

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JAMIE MCLEAN BAND

Jamie McLean Band w/ Autumn Hollow

MARCH 27 @ 7PM | DOORS 6PM | UPSTAIRS

Jamie McLean Band creates a musical gumbo that incorporates New Orleans soul, middle Americana roots, Delta blues, & New York City swagger.

Jamie McLean Band creates a musical gumbo that incorporates New Orleans soul, middle Americana roots, Delta blues, and New York City swagger. Jamie McLean Band is a triplethreat. The group’s energetic and captivating live show is undeniable. McLean’s fiery guitar has joined theranks of Derek Trucks, Gregg Allman, Aaron Neville, Dr. John, and more on stages from from Madison Square Garden toJapan’s Fuji Rock. His blue eyed southern soul vocals ooze real emotion. And his top line songwriting chops have crafted profound, honest, and heartfelt songs that will keep you singing along, dancing along, and feeling like the song was written about you.

Jamie McLean Band is touring behinda fantastic new album “One Step Forward” on Harmonized Records. The album was recorded at the legendary Grand Street Studios in Brooklyn, NY and features the band’s strongest and most mainstream songwriting to date. It also marks the return of original JMB member Jon Solo on keyboards! “Summer of Who Knows When” is an immediate summer anthem. “Calendar Girl” and “New York Penny Lane” are musical love letters. And the band kicks into full gear on “Too Little Too Late” and “I Believe In Love”!

The live show is where Jamie McLean Band excels and the band has shared the stage with the likes of GreggAllman, Aaron Neville, Dr. John, Taj Mahal, Tedeschi Trucks Band, Trombone Shorty, Los Lobos, Blues Traveler, Marc Broussard, and many more. Jamie Mclean Band has appeared at festivals such as Bonnaroo, Mountain Jam, Targhee Fest, Okeechobee Fest, Ottawa Blues Fest, Quebec City Summer Fest, and Warren Haynes’ Christmas Jam to name a few. McLean has also enjoyed the sponsorship of Gibson Guitars, Fuchs Amplifiers, D’Addario Strings, Blue Microphones, John Varvatos, and Esquire Magazine.

 

Autumn Hollow blends raw rock energy with thoughtful Americana storytelling, led by frontman Brendan Murphy’s distinctive vocals and incisive songwriting. With Mike Burke’s textured lead guitar work and the dynamic rhythm section of Chuck Vath (bass) and Ian McMillan (drums), the band has become a fixture in the New England music scene through performances at venues like The Paradise Rock Club and Club Passim.

Drawing from diverse influences spanning Bob Dylan to hip hop, Murphy crafts songs that feel both familiar and surprising. His background as a teacher brings lived experience to lyrics that often tackle social themes with nuance and insight. Their previous EP, Throw the House, earned Boston Music Award nominations and praise from the Boston Globe for their “unalloyed rock ‘n roll.”

Known for live shows that balance jam band spontaneity with tightly crafted songs, Autumn Hollow creates music that respects tradition without being constrained by it. Their album Say No More represents a significant evolution in their sound—one that embraces experimentation while remaining accessible and emotionally resonant.

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TRUFFLE

OFF TO THE ISLANDS: A special island-themed evening w/ Truffle

MARCH 28 @ 6PM | DOORS 5PM | UPSTAIRS

Truffle’s last local show til May! Join us for a night of warm weather music before they leave for their USVI tour. Please wear your favorite Island shirt! 

Truffle celebrates 40 years as a band, recently earning a Legacy Makers Award from the Stone Church, and being nominated best in state by NEMA. They’ve toured all but ten states in the US; and now tour the New England region constantly. The ongoing list of international acts they have supported is huge: Dave Matthews Band, Little Feat, Bill Payne, Phish, The Band, Blues Traveler, The Radiators, Buckwheat Zydeco, Spin Doctors, Arlo Guthrie, Merl Saunders, Baba Ulatundje, New Riders Widespread panic and Toots and the Maytalls. They’ve released five albums, as well as numerous compilations culminating in their “30th Bandiversary Double Bootleg”. Roots, and Soul music with strong songwriting makes for a truly unique Truffle sound all their own. www.gerardtruffle.com

“I’m happy to be back on stage with Truffle this year. Truffle is a world class band. First and foremost they write great songs. I have played music with the best in the world; Truffle holds their own and then some.” ~ Bill Payne (Little Feat)

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WOLFMAN JACK

Wolfman Jack : Two Sets of Primal Grateful Dead

MARCH 29 @ 6PM | DOORS 5PM | UPSTAIRS

Experience the primal. electrifying “Live Dead” era of The Grateful Dead.

Wolfman Jack is a live music project of veteran musicians from the New England area performing the psychedelic and electrifying Live Dead era of The Grateful Dead. A true dance band in the style of such legendary venues as The Fillmore West, Carousel Ballroom and Avalon Ballroom. They recreate those vintage sets from when the Grateful Dead were first cutting their teeth as a live music act. Don’t miss it!

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OLIVE KLUG

Olive Klug

MARCH 31 @ 7PM | DOORS 6PM | UPSTAIRS

Olive Klug is a Nashville-based American contemporary folk singer-songwriter whose honest, melody-driven songs explore coming-of-age themes, identity, and emotional vulnerability, drawn from a TikTok-grown audience and grounded in roots-inflected storytelling.

While only a relatively short time since the van-dwelling singer-songwriter Olive Klug has fully pursued the nontraditional life of a touring musician, their sophomore album Lost Dog finds them contemplating a propensity for adventure no matter what avenue of love and loss it leads down. Although still very young, on Lost Dog Klug artfully addresses “aging as a neurodivergent free spirit” on the road with an unarguably talented ability to fearlessly voice deeply honest emotions through captivating storytelling.

Gentle at the start, album opener “Taking Punches From the Breeze” gets its title from Klug’s self-described nature of “letting the wind take them wherever they’re meant to be.” As more instrumentation fills in alongside fingerpicked guitar and Klug’s soft croon, a shuffling drum beat arrives under lyrical imagery of life’s new direction and the ups and downs of being beholden to the breeze.

Deemed by Klug as “the happiest song you’ll ever hear about unrequited love,” “What to Make of Me” is a “zydeco-inspired romp” so full of life and self-assuredness that there’s hardly room to dwell on anything remotely devastating. Pure unshakeable confidence clocking in at just under three minutes, this tune is much like the short-term romance that inspired it with the added benefit of being able to listen on repeat.

“No one is their best self in the first few weeks following a big breakup,” explains Klug. “And the song ‘Cold War’ demonstrates how this manifests in our modern world.” Poignant and precise, the stark recording of guitar, bass, haunting strings and vocals accentuate a very twenty-something realization on ended relationships and the proclivity to stalk the internet thereafter:

“The cold war has begun
Of who can prove that they’re having the most fun,
Through tiny screens and Spotify streams
Trying to prove to the other that we won”

“The song shows us parts of ourselves we might not always be proud of,” says Klug. “But can undeniably relate to.”

A “take on Paul Simon’s wordy magical chaos,” “Train of Thought” is an experimentation into the world of abstract metaphors compared to Klug’s usual literal storytelling style. On the surface the fun and frolic of wordplay and rhythm are countered by the personal meaning to Klug, and letting the listener in to what it’s like to be neurodivergent and how they have “recently embraced the internal chaos instead of trying so hard to control and repress it.” Additionally,
lines like “and they try to button up my suit and tie in an attempt to hold me back but I’m this strange old conductor wearing pearls and a backwards baseball cap” highlight how their “nontraditional gender presentation is intrinsically linked to this neurodivergence and desire to resist societal pressures.”

The “fast-paced folk punk anthem” “Opposite Action” creatively puts Klug’s “under-utilized psychology B.A” to use – taking a therapeutic concept for a song name and putting its practice of encouraging “patients to do the opposite of what their emotions are telling them to do” in the chorus. Frustrated after applying these methods and not attaining immediate results during a depressive episode in the summer of 2023, Klug’s stream of consciousness style verses offer emotional release and the recognition that getting older and more responsible can feel like an inner-battle when the old patterns want to “give into the worst of me sometimes.”

Slowing down the tempo, “Lost Dog” is a melancholic examination of lifestyle choices. “It’s about watching your peers settle down into serious relationships and buy houses and wonder if you made the right decision to choose freedom and independence,” says Klug. “It’s about learning that the other side of the freedom/independence coin is often instability and loneliness.”

Klug carefully acknowledges that their career can be captivating to many as “a wanderer’s lifestyle,”but others’ admiration can quickly turn to contempt as they age – a feeling expressed through the track’s titular metaphor in the chorus.

Revisiting the same break up depicted in “Cold War,” the minimalist ballad of “One Dimension” harnesses the healing power of hindsight. “With more time to process,” explains Klug. “It’s much easier to come to terms with the nuance in a relationship and recognize that the anger and vengeance that first arise after a breakup are often a coping skill for processing the real sadness and loss of cutting ties with someone you were once vulnerable enough to share your
life with.”

Already serving as a special moment in Klug’s live set, Lost Dog ends with the enchanting and existential “Fleeting.” Reflecting on the complexities of connection, this swaying track is enhanced by crowd participation on the lullaby-like chorus “it’s fleeting, I’m better when I’m leaving” – a sung mantra between artist and audience of appreciating the present when departure is imminent.

Lost Dog was produced and engineered by Isaiah Beard (Jobi Riccio) and recorded at Club Roar in Nashville, TN.

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DAVE GERARD

Dave Gerard (DOWNSTAIRS)

APRIL 1 @ 5:30PM | FREE | DOWNSTAIRS

The incredible Dave Gerard of Truffle is filling the downstairs pub with his wonderful voice and guitar playing.

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PEACELOVEPROTEST

Freedom: A Celebration of Neil Young feat. The Stray Horses

APRIL 3 @ 7PM | DOORS 6PM | UPSTAIRS

What a time for songs of peace, love, and protest.

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TAKAAT

TAKAAT (feat. members of Mdou Moctar) w/ Muddy Ruckus

APRIL 8 @ 7PM | DOORS 6PM | UPSTAIRS

TAKAAT (aka the rhythm section of Mdou Moctar) is sonic chaos, improvisation, freedom of exploration, and the punk styles of bands such as Fugazi and Unwound, all mixed together with the guitar music from the Sahel. 

TAKAAT (pronounced tuh-cot), meaning “noise” in the Tuareg language Tamashek, is the trio of Ahmoudou Madassane, Mikey Coltun, and Souleymane Ibrahim, also known as the rhythm section of Mdou Moctar. TAKAAT is sonic chaos, improvisation, freedom of exploration, and the punk styles of bands such as Fugazi and Unwound, all mixed together with the guitar music from the Sahel.

TAKAAT started during soundchecks while on the road with Mdou Moctar when the trio indulged their shared love for amps cranked to 11 and the sound of blown out speakers. Towards the end of 2023, the three started writing music together, inspired by their shared experiences with the sounds and energy of Hausa bar bands, gritty soukous, and 2000s post-punk. The music of TAKAAT is intense, dark, and energetic. Deeply inspired by the DIY ethos of punk, Ahmoudou, Mikey, and Souleymane capture that thrill of the new and the ecstasy of togetherness in these heavy rockers. TAKAAT follows in the spirit of the independent music culture that birthed hardcore basement shows, bedroom tape labels, and generator-powered pick-up wedding bands.

 

Muddy Ruckus are a Portland, Maine–based rock duo—guitarist/songwriter Ryan Flaherty and drummer/vocalist Erika Stahl—known for making a two-person setup hit like a full band, with Stahl’s suitcase-kick drum rig and Flaherty’s multi-amp guitar sound. Sonically, they live in a gritty, high-voltage lane that blends psychedelic rock, punk-blues, and Americana/roots swagger, earning press that’s called them “darkly inventive Americana” and landing them recognition like a New England Music Awards win (“Best in State,” 2015) and an AmericanaFest official showcase (2017).

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the orrs

The Orrs EP Release show w/ Rick Rude & Two Thousands

APRIL 9 @ 8PM | DOORS 7PM | UPSTAIRS

Those Orrs boys are putting out some new bangers & we aim to party about it.

The Orrs are a New England indie rock band with roots in the New Hampshire Seacoast scene, built around the songwriting of Mike Thurston and Stefan Mraz. Their sound mixes jangly guitars, indie-pop hooks, and scrappy alt-rock energy, heard across releases like As If I Ever Left (2021) and their self-titled follow-up. Known for lively live shows and a DIY spirit, the band has become a familiar presence around the local scene.

 

Out of speakers came noise and out of noise came RICK RUDE. Rick Rude feasts on mystical fungi, boredom, mushy guitar riffs, and the delicacy of the human soul.

 

Two Thousands is a New Hampshire indie/alternative band from the Seacoast/UNH orbit, bringing punchy guitars, big hooks, and a loose, high-energy live show.

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LOW CUT CONNIE 2

Adam Weiner aka LOW CUT CONNIE (solo)

APRIL 11 @ 7PM | DOORS 6PM | UPSTAIRS

Low Cut Connie boasts praise from Obama & Elton John, a Seth Meyers performance, & a spot on Rolling Stone’s Top 100 Albums of the Decade.

“The best live rock n roll band in America” – this is how NPR recently described Low Cut Connie. Since 2010, Philadelphia-based frontman / songwriter Adam Weiner has released 7 highly-acclaimed studio albums under that name and earned a devoted fanbase that includes President Barack Obama, Sir Elton John & Bruce Springsteen. In 2024, he released the award-winning documentary film ART DEALERS. He has received acclaim from The New Yorker (“Pandemic Person of the Year”), Rolling Stone, NPR’s Fresh Air and appeared on Late Night with Seth Meyers, The Late Show with Stephen Colbert and PBS Newshour. His writing has been published in SPIN, Billboard, and Talkhouse. In 2026, he is touring venues across the US, playing his “Livin in the USA” show solo at the piano.

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poison ruin

Poison Ruïn w/ Peace Talks

APRIL 14 @ 8PM | DOORS 7PM | UPSTAIRS

Poison Ruïn ambitiously rewrites the very rules of what punk is capable of achieving, pushing their sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that first established them as an urgent new voice in the world of extreme music.

Building off the strengths of their critically acclaimed works, POISON RUIN return with their new album, Hymns From the Hills. The Philadelphia Punk band have developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.

The band’s vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work. On this newest offering, their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry- One populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN’s trademark sound and a departure from it- The crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to are buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity, Hymns From the Hills expands POISON RUIN’s sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band’s already established mythos.

Hymns From the Hills is meticulously composed. Much like the rest of POISON RUIN’s body of work, this LP was self-recorded without the use of professional studio equipment. To meet the greater sonic demands of Hymns From the Hills, however, mastermind Mac Kennedy relocated to a private practice space, retiring from his previous routine of squeezing in tracking sessions around the rare moments that the band’s shared practice space happened to be vacant. “Having added time to breathe and really get things right felt crucial this time,” he remarks. “The stress of having to work quickly and at chaotic intervals used to feel productive, in that it instilled a sort of rough, energetic ethos into the recordings, but I began to feel that those working habits were blocking me from pursuing certain ideas that required a more measured, methodical approach.” To best serve the record’s grander ambitions, the band enlisted the mixing prowess of Jonah Falco (Fucked Up, Career Suicide) and the mastering of Arthur Rizk (Power Trip, Trapped Under Ice, Cavalera, Integrity), who helped to elevate the record’s teeming variety of sounds to new heights of self-assured fidelity. Kennedy lent a second hand to the mixing process, splicing in grittier tape recorded segments in order to maintain a certain tonal continuity with the band’s previous work, creating a rich structure of unconventional frictions, crystalline flashes of polish ripping through abysses of hissing low end only to shatter against the whipping sting of rusted chains moments later.

Lyrically, Hymns From The Hills extends both the cynicism and the defiant bravado of POISON RUIN’s established fantasy aesthetics. While the record continues POISON RUIN’S tradition of employing medieval-inflected fantasy imagery, Kennedy does not intend for these figures to be read as historically accurate. “I’m not very interested in conveying the historical facts of medieval culture. If we are to make sense of the present, we need to employ a more mythic mode of language and symbol  to reach beyond the spiritual malaise that envelopes us. A mythic truth resonates within any time, but it’s echos call from outside of time. Medieval and fantasy imagery are simply effective personal starting points for tapping into that mode of communication.”

With Hymns From The Hills, POISON RUIN have accomplished a feat of creative labor which few have the courage to entertain, much less the capacity to execute so effectively. Hymns From The Hills ambitiously rewrites the very rules of what punk is capable of achieving, pushing POISON RUIN’s sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that first established them as an urgent new voice in the world of extreme music.

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Screenshot 2026 01 21 at 9.40.08 AM

PALLBEARER performing Foundations Of Burden w/ special guests Knoll

APRIL 15 @ 8PM | DOORS 7PM | UPSTAIRS

One of the best doom metal bands alive playing one of the best doom metal albums of all time.

Pallbearer’s Foundations of Burden (2025 Redux) is a meticulous sonic reconstruction of their transformative, landmark 2014 album. The newly remixed and remastered version arrives digitally on Nov. 7, with physical editions (2xLP and CD) available on Dec. 5.

“During the writing and preparation for Foundations, everything was ephemeral and we were practically feral,” recalls bassist/vocalist Joseph D. Rowland. “We had no real practice space, we barely had a single working computer between the four of us. Our demos of the record consisted of something barely discernible from white noise. Nevertheless, we knew we were working towards building a set of songs we were deeply enthusiastic about.

Once in the thick of recording, the feeling went from dream to dreamlike very quickly, as we found ourselves in what felt like an endless churn of repetition. We slept at the studio on whatever soft surfaces we could find, waking each day to discover that some of the previous day’s work had been corrupted overnight. This resulted in some parts of the album being recorded many times over. The guitars in particular mutated into something Sisyphean.”

Rowland continues, “Since the time that we finally committed the original version of Foundations to print, we knew it would be a sonic space we would eventually revisit. Its form did not unfold according to the original version as the numerous file corruptions, delays, and exhausted studio budget compounded into a final feverish push to finish the mix. We were relieved to get those massive and difficult mixes turned into finished songs just in time, but not without a nagging thought; we had to sacrifice much of the nuance we had spent so much time crafting.”

More than a decade later, Pallbearer seized the opportunity to revisit the record from the ground up. Over the past year, the band meticulously reconstructed the album from the original sessions.

“In the time since then, we have played most of the songs from Foundations more times than we can count, and they remain some of our favorites,” Rowland continues. “The songs have grown with us. And while we hold a deep love and attachment to what we created in 2014, we also gained a fuller understanding of how we would want to re-present them if we had a chance. After years of discussion, listening and learning, we found ourselves in the position to fulfill that vision.”

Foundations of Burden (2025 Redux) features new mixes and mastering, plus new artwork featuring a painting by Benjamin Vierling. The six-song, 55-minute collection is produced by Pallbearer, mixed by Mario Quintero (Spotlights), and mastered by Adam Gonsalves.

In celebration of the 2025 Redux edition of their landmark album Pallbearer will be playing select shows performing Foundations of Burden in full.

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TOM DIMENNA

Tom DiMenna & Friends Present Story Songs of the '70s (Spring Edition)

APRIL 19 @ 1PM | DOORS 12PM | UPSTAIRS

Tom DiMenna and friends resurrect some of the 70s’ greatest story songs from Harry Chapin, Cat Stevens, & Gordon Lightfoot.

Tom DiMenna and friends resurrect some of the 70s greatest story songs from three of the era’s greatest singer/songwriters: Cat Stevens, Gordon Lightfoot, and Harry Chapin. This devoted review will feature Maine based singer/songwriter Tom DiMenna, whose tribute shows have sold out opera houses up and down the Maine coast.

DiMenna’s impressive vocal range and guitar style artfully channel all of these revered artists, and will surely satisfy their most die hard fans. Tom will also be backed with accompaniment to provide plenty of toe tapping for this very special evening. This is your chance to see what all the buzz is about. You may even be moved to sing along, or at least hum! The legend lives on!

“Go See Tom!” -Aimsel Ponti, Portland Press Herald

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Pintail w/ Megan From Work & Happy Just To See You

APRIL 19 @ 7PM | DOORS 6PM | UPSTAIRS

Three of New England’s best rising indie acts collide at The Press Room—Pintail’s melodic DIY guitar rock, Megan From Work’s punchy alt-rock catharsis, and Happy Just To See You’s heart-on-sleeve indie anthems—come sing loud, feel everything, and catch the next wave before it blows up.

Pintail is a Boston-area indie rock band made up of Tyler, Michael, and Alex (with additional collaboration from Jordan), crafting melodic, guitar-driven songs rooted in the DIY local scene and built for energetic live sets across Greater Boston venues.

 

Megan From Work is a Manchester, New Hampshire–based indie rock band led by singer-songwriter Megan Simon, blending poppy punk energy, ’90s-leaning alternative rock, and emotionally candid songwriting into punchy, hook-forward songs that balance earnest vulnerability with driving guitars. Formed as a New England four-piece, the band has built momentum through regional touring, releases like Girl Suit (2024), and rising festival appearances including Boston Calling, carving out a fast-growing presence in the Northeast DIY scene.

 

Happy Just to See You (HJ2CU) is an indie-rock band based between southern New Hampshire (Manchester) and Boston, known for emotionally direct, melody-forward songs that sit in the orbit of ’90s/’00s guitar indie (they cite comparisons like Pavement, Bright Eyes, Pixies, Death Cab, and Frightened Rabbit).

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TEA EATER

Tea Eater w/ Tysk Tysk Task & Grub Lord

APRIL 22 @ 8PM | DOORS 7PM | UPSTAIRS

NYC art-punk chaos makers Tea Eater storm The Press Room with Lowell’s fuzzy indie-grunge crushers Tysk Tysk Task and Portsmouth’s hilariously unhinged punk trio Grub Lord for a night of loud, weird, DIY mayhem.

Tea Eater is a Brooklyn-based art-punk band fronted by Tarra Thiessen (of Gustaf and Sharkmuffin), known for their fuzzy, high-energy songs that mix garage punk chaos with campy, surreal lyrics and infectious riffs. Featuring members of several NYC underground acts, the group has built a reputation for wild live shows, toured across the U.S., U.K., and Europe, and shared stages with bands like Thee Oh Sees, Death Valley Girls, and Sloppy Jane.

 

Tysk Tysk Task is a Lowell, Massachusetts–based indie-grunge band known for their raw, emotionally charged guitar rock and scrappy DIY spirit. Fronted by singer-guitarist Samantha Hartsel, the group blends the grit of early-’90s alternative with melodic indie songwriting, delivering a “woodland grunge” sound shaped by loud-quiet dynamics, cathartic vocals, and driving riffs across releases like You’re Sorry More (2022).

 

Grub Lord is a Portsmouth, New Hampshire punk band known for chaotic, tongue-in-cheek songs that blend riot-grrrl attitude, garage-punk energy, and gleefully absurd humor. Built around fast riffs, shout-along hooks, and a mischievous DIY spirit, the band has become a rowdy favorite around the Seacoast underground with releases and live shows that lean just as hard into comedy and character as they do into classic punk noise.

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paris monster

paris_monster

MAY 4 @ 7PM | DOORS 6PM | UPSTAIRS

Brooklyn duo paris_monster blend funk and soul-inflected vocals with fuzzed out bass and modular synth into a massive, groove-driven sound that feels far bigger than two people.

Beat-driven. Dirty, glitchy, lyric-centered, groove-based. Solid earth. Soaring soundscapes. A mass of noise. Volatility. Vocal Singularity. Employing heavy elements of funk and soul, paris_monster closes a gap between synthesized sound and garage; between modern detail and old-school grit.

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Mother's Day Jazz Brunch w/ the Al Cron Quartet (10am)

MAY 10 @ 10:45AM | DOORS 10AM | UPSTAIRS

Celebrate Mother’s Day with a soulful, swinging jazz brunch led by trombonist, composer, and bandleader Al Cron. Come for great jazz and food and bring along family and friends.

A longtime force on the New England jazz scene, Al Cron blends hard-swinging grooves, classic standards, and original music drawn from his recent digital releases The Prowl and Circles and Roots. Rooted in the sound of the Blue Note era but alive with modern energy, his music moves effortlessly from laid-back ballads to toe-tapping burners—perfect for a relaxed Sunday morning with family and friends.

Joining Cron is a powerhouse band featuring the dynamic Brooke Sofferman on drums, soulful John Piazza Jr. on trumpet and vocals, and the always amazing Bruce Gertz on bass..

Treat Mom, your friends, and yourself to great food, great company, and live jazz that feels timeless, vibrant, and full of heart.
Plan to come early to place your food and drink orders. A selection of brunch and lunch items will be available for purchase during both shows.

This show is offered in partnership with the Seacoast Jazz Society.

About the Musicians
Al Cron, trombone
Al Cron is a Boston-based jazz trombonist, composer, bandleader, and educator making a strong mark on the contemporary jazz scene. Influenced by studies with jazz masters such as Hal Crook, Bob Brookmeyer, John McNeil, and George Russell, Al has crafted a distinctive voice on his instrument and as a composer.

He has led his own groups and released acclaimed recordings—including The Prowl and Circles and Roots—highlighting his adventurous improvisational approach and commitment to creative jazz. Beyond his work as a bandleader, Al has performed with
legendary artists such as Aretha Franklin, Johnny Mathis, The Temptations, and the Artie Shaw Orchestra, blending deep tradition with modern expression.

An engaging live performer and passionate educator, Cron continues to inspire audiences and students alike with his vibrant musicality and dynamic stage presence.

For more info go to: https://www.alcronbone.com

John Piazza, Jr., trumpet

John Piazza, Jr, is a dynamic American jazz trumpeter, bandleader, educator, and co-founder of Utica, New York’s acclaimed Jazz at The Other Side series, which he helped establish in 2007 and has shaped into one of Central New York’s most cherished jazz
venues.

Born and raised in Utica, Piazza began trumpet studies in high school and went on to earn a Bachelor’s Degree in Music Education from the Crane School of Music and a Master’s Degree in Jazz Studies from the University of Massachusetts. He has studied with notable jazz figures including Yusef Lateef, Billy Taylor, Archie Shepp, and mentor Sal Amico.

Over his career, John has appeared with a wide range of esteemed jazz artists, performing with luminaries such as Joe Magnarelli, John Fedchock, Gary Smulyan, and many others who have graced The Other Side’s stage. In addition to his performance work, he spent more than a decade as Musical Director for Carnival Cruise Lines, where he led and collaborated with a variety of ensembles and performers.

Piazza’s deep commitment to jazz performance, education, and community has made him an influential voice in the upstate New York jazz scene and beyond.

 

Bruce Gertz, bass
Bruce Gertz is a highly respected jazz bassist, composer, bandleader, author, and educator whose career spans more than five decades. Born in Providence, Rhode Island, Gertz is known for his mastery of both upright and electric bass and has been a cornerstone of the Boston jazz community and beyond.

A longtime Professor of Bass at Berklee College of Music since 1976, Gertz has shaped generations of bassists while maintaining an active performing and recording career. He has recorded over twenty albums as a leader and performed and recorded with jazz
greats including Jerry Bergonzi, Gary Burton, John Abercrombie, Joey Calderazzo, Bill Frisell, Joe Lovano, and many others.

In addition to his performance work, Bruce is an accomplished composer and author of multiple instructional books for bass, and he has received numerous awards including multiple Boston Music Awards and a National Endowment for the Arts jazz performance grant.

Gertz’s deep musical insight, rich history of collaboration, and dedication to education make him a beloved figure in jazz circles and a powerful voice on stage.

 

Brooke Sofferman, drums
Brooke Sofferman is a Boston-based drummer, composer, and educator who has been a vital presence on the East Coast jazz scene for more than two decades. A graduate of New England Conservatory of Music, where he earned a Bachelor’s and Master’s
Degree in Jazz Performance, studying with legendary artists including George Russell, Bob Moses, Danilo Pérez, Jerry Bergonzi, and John Abercrombie.

Now a faculty member at the Conservatory, Brooke balances teaching with an active performing and recording career, appearing with top-tier musicians such as Jerry Bergonzi, John Medeski, Chris Potter, Bruce Gertz, and many others. As a leader, his acclaimed recordings—including Modesty’s Odyssey, The Green Between, and One Stone, Two Birds—have earned rave reviews from DownBeat, JazzTimes, and The Boston Globe.

Equally at home driving a hard swing or shaping modern, adventurous textures, Brooke brings deep musicality, creativity, and energy to every stage.

ABOUT THE SEACOAST JAZZ SOCIETY
The Seacoast Jazz Society is a 501(c)(3) nonprofit founded in 1990 to spearhead the annual Seacoast Jazz Festival, first held in 1983 and every year since then (except 2020). The Society is dedicated to fostering a love of jazz in the community, supporting
local musicians in their careers, and providing scholarships to young artists. For more info and to become a member or join the mailing list, go to:
https://www.seacoastjazz.org.

RESERVE YOUR SEATS TODAY!

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Mother's Day Jazz Brunch w/ the Al Cron Quartet (12:30pm)

MAY 10 @ 12:30PM | DOORS 1:15PM | UPSTAIRS

Celebrate Mother’s Day with a soulful, swinging jazz brunch led by trombonist, composer, and bandleader Al Cron. Come for great jazz and food and bring along family and friends.

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MAMA'S BROKE

Mama's Broke ANALOG TOUR

MAY 13 @ 7PM | DOORS 6PM | UPSTAIRS

Mama’s Broke return to The Press Room with their JUNO-nominated, border-crossing dark folk—haunting harmonies, road-worn storytelling, and a fiercely nomadic spirit forged on stages from maritime Canada to the far corners of the world.

Mama’s Broke have spent over a decade in a near-constant state of transience, pounding the transatlantic tour trail. They’ve brought their dark, fiery folk-without-borders sound to major festivals and DIY punk houses alike, absorbing traditions from their maritime home in Eastern Canada all the way to Ireland and Indonesia. Nowhere is the duo’s art-in-motion approach more apparent than on their long-awaited JUNO-nominated sophomore record Narrow Line  (released May 2022 on Free Dirt Records) It’s the sound of nowhere in particular, yet woven with a rich synthesis of influences that knows no borders.

The eleven songs on Narrow Line burrow deeply, with close harmony duets, commanding vocals, and poignant contemplations on cycles of life, including birth and death. Tinges of Americana stand side-by-side with the ghosts of Eastern European fiddle tunes and ancient a cappella ballad singing, melding into an unusually accessible dark-folk sound. A careful listen of Narrow Line invokes an ephemeral sense of place—whether real or imagined—inviting us to take comfort in the infinite possibilities of life, whether or not we ever choose to settle down.

For a group defined by constant touring, it’s not surprising that the two artists that make up Mama’s Broke, Lisa Maria and Amy Lou Keeler, met on the road. Both coming out of travelling communities that are focused on music and protest, the two owe the way in which they move through the world to the integrated and self-sustaining nature of DIY culture and activism. It was a busy life that took them on a roundabout annual touring schedule running between Canada, the United States, Ireland, the UK, and Europe.

The driving force behind this band is – and has always been – the commitment to challenge borders between people, places, and traditions; while encouraging freedom of expression and community through music.

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SPARKS THE RESCUE

Sparks The Rescue w/ SIGNALtheESCAPE

MAY 14 @ 7:30PM | DOORS 630PM | UPSTAIRS

Oh, sh*t—looks who’s back!

Toby McAllister, Ben Briggs, and Nate Spencer formed a band in 1999, while still in junior high school. After years of local shows and Battle of Bands competitions they added Patrick O’Connell on guitar and vocals and Marty McMorrow on synthesizer and vocals. The band changed their name to Sparks the Rescue and started shedding its skate punk aesthetic—gaining popularity and playing shows throughout New England. Alex Roy was added as main vocalist in 2006, and eventually got signed to Fearless Records. They toured constantly from 2009-2014. Notably participating in the Vans Warped Tour 2010 and touring Europe and the UK with All American Rejects. 2026 finds them releasing new music and getting back out on the road.

 

SIGNALtheESCAPE started in 2005, hailing from New Haven, CT. After recording their debut 4 song EP “Leaving For Aedan” with producer John Naclerio (My Chemical Romance, Brand New, Just Surrender), the band signed a deal with a small indie label, allowing them the opportunity to write and record their first and only full length record “All That You Deserve” (2008) with producers Matt Squire (Panic! At the Disco, The Receiving End of Sirens) and Bryan Russell (Straylight Run, Envy On The Coast). After touring and promoting the album for 2 years, sharing the stage with bands such as (Mayday Parade, Cartel, Silverstein, Circa Survive, Boys Like Girls, Head Automatica, Anberlin), the band recorded their final 4 song EP “1986”, with producer Jonathan Wyman (Sparks The Rescue, The Pretty Reckless). The band disbanded in 2012, playing just a few reunion shows since.

In 2023, the band released a remixed/remastered version of their full length, sparking newfound interest in both the record and the band on social media. This was the inspiration the band needed to reunite in 2025 with their first new single in 16 years “Everybody’s Wrong”. To promote the new song, the band will be returning to the stage to play their first shows since 2017.

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HALLEY NEAL

Songbird: Halley Neal Sings Fleetwood Mac

MAY 15 @ 7PM | DOORS 6PM | UPSTAIRS

Halley Neal brings years of touring experience and a Berklee College of Music vocal background to her interpretation of Fleetwood Mac’s iconic catalog.

Songbird: Halley Neal Sings Fleetwood Mac is a one-woman performance centered on voice, storytelling, and musicianship. Halley Neal brings years of touring experience and a Berklee College of Music vocal background to her interpretation of Fleetwood Mac’s iconic catalog.

Rather than imitation, the performance celebrates the emotional architecture, melodic strength, and lyrical intimacy of the songs, while showcasing Neal’s own artistry. From the quiet intimacy of Songbird and Landslide to the driving energy of The Chain and Dreams, audiences are invited into a refined listening experience led by a masterful songstress.

ABOUT THE ARTIST

Halley Neal is an award-winning singer-songwriter, and a graduate of Berklee College of Music (Vocal Performance). She has toured extensively as a solo artist, released multiple albums of original music, and performed at festivals, theaters, and intimate listening rooms nationwide.

Known for her expressive vocal style, technical precision, and emotional storytelling, Neal brings both the sensibility of a songwriter and the artistry of a trained vocalist to every performance.

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JENNY OWEN YOUNGS 2

Jenny Owen Youngs

MAY 16 @ 7PM | DOORS 6PM | UPSTAIRS

Jenny Owen Youngs makes emotionally direct indie pop and folk-leaning songs built on sharp hooks, candid lyrics, and a balance of intimacy and melodic punch that feels both confessional and anthemic.

In the decade since Jenny Owen Youngs last released a full-length album, she’s toured the world, co-written a #1 hit single, launched a wildly popular podcast, landed a book deal, placed songs in a slew of films and television series, moved from Brooklyn to Los Angeles to coastal Maine, and gotten married, divorced, and married again. She’s done everything, it seems, except release another album….until now.

Avalanche, Youngs’ exceptional debut for Yep Roc records, offers up an achingly beautiful exploration of loss, resilience, and growth from an artist who’s experienced more than her fair share of each in recent years. Produced by Josh Kaufman (Bonny Light Horseman, The Hold Steady, Cassandra Jenkins, Josh Ritter) and written with a series of friends including S. Carey, Madi Diaz, The Antlers’ Peter Silberman, and Christian Lee Hutson, the songs are deceptively serene here, layering Youngs’ infectious pop sensibilities atop lush, dreamy arrangements that often belie the swift emotional currents lurking underneath. Her performances, meanwhile, are riveting and nuanced to match, gentle yet insistent as they reckon with the pain of regret and the joy of redemption, sometimes in the very same breath. The result is the most raw and arresting release of Youngs’ remarkable career, a brutally honest, deeply vulnerable work of self-reflection that learns to make peace with the past as it transforms doubt and grief into hope and transcendence.

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WOODS 2

WOODS w/ Edsel Axle

MAY 19 @ 7:30PM | DOORS 6:30PM | UPSTAIRS

Absolute legends WOODS bring their irresistible, sun-dazed indie psych folk to the Press Room.

Woods are in bloom again, inviting you to disappear into a new spectrum of colors and sounds and dreams on Perennial.

Formed in Brooklyn in 2004, Woods have matured into a true independent institution, above and below the root, reliably emerging every few years with new music that grows towards the latest sky. Operating the Woodsist label since 2006 and curating the beloved homespun Woodsist Festival for the musical universe they’ve built, Perennial is the sound of a band on the edge of their 20th anniversary and still finding bold new ways to sound like (and challenge) themselves.

Perennial grew from a bed of guitar/keyboard/drum loops by Woods head-in-chief Jeremy Earl, a form of winter night meditation that evolved into an unexplored mode of collaborative songwriting. With Earl’s starting points, he and bandmates Jarvis Taveniere and John Andrews convened, first at Earl’s house in New York, then at Panoramic House studio in Stinson Beach, California, site of sessions for 2020’s Strange To Explain. With a view of the sparkling Pacific and tape rolling, they began to build, jamming over the loops, switching instruments, and developing a few dozen building blocks.

The album’s resulting 11 songs, 4 of them instrumental, are in the classic Woods mode–shimmering, familiar, fractionally unsettling–but with the half-invisible infinity boxes of Earl’s loops burbling beneath each like a mysterious underground source. From source to seed to bloom, each loop unfolds into something unpredictable, from the jeweled pop of the aching “Little Black Flowers” to the ecstatic starlit freak-beat of “Another Side.” They are blossomings both far-out and comforting, like the Mellotronic cloud-hopping of “Between the Past,” or sometimes just plain comforting, like the widescreen snowglobe fantasia of the instrumental “White Winter Melody,” touched by Connor Gallaher’s pedal steel.

Woods have long used the studio as a place of songwriting, naming 2007’s At Rear House after their shared dwelling and recording space. But Perennial also carries with it an even longer view of Woods. Emerging from the process alongside the music was Earl’s reflection that “perennial plants and flowers are nature’s loops,” an idea rolling under the album’s lyrics like the loops themselves. It certainly applies to the band, too, who have quietly tended to a long, committed project of being a band in the weird-ass 21st century, both individually and communally. Though separated by coasts, the communal sprit carries through Earl, Taveniere, and Andrews’ collaboration, a living embodiment of the freedoms rediscovered every time a new collectively created piece of music emerges.

For nearly two decades, Woods have survived subgenres, anchored in the fertile soil below hashtags like lo-fi and freak-folk and psychedelic and indie, and built a shared history that’s something to marvel at. As the flagship band for Woodsist, they’ve accumulated a striking extended family of collaborators (and Woods alum) that have made the label one of the most dependable imprints in the kaleidoscopic low-key underground. It’s a glow that’s transferred whole to the blissed-out Woodsist Fests held in Accord, New York in recent years, which have folded in a wide range of diverse sounds, from the the jazz cosmoverse of the Sun Ra Arkestra and adventurous legends Yo La Tengo, to a hard-to-even-count family tree of contemporaries, like Kevin Morby (who served a few tours of duty as Woods bassist) and Kurt Vile (who released his 2009 debut on Woodsist), a living community in sound.

Perennial carries all of this, shaped by decades, but made in the moment, and here right now. The smell of the flowers doesn’t remain, but sometimes the flowers do.

 

North Carolina based singer/songwriter Rosali Middleman has spent the last decade using her voice and guitar to construct tunes built upon the spectrum between joy and pain – deeply personal lyrics, profound vocals, and striking, heady guitar synchronizing as a perfect pair to deliver a very welcome and fresh perspective on folk rock and roll music.

On this newest collection of tunes, “Variable Happiness”, under the moniker Edsel Axle, her voice takes a winter hibernation to showcase the prodigious slow burn thump of her solo electric guitar playing. While this musical pivot may be a risk to some, the worlds of wilderness created within the music are easily navigated with clarity.

Recorded directly to a four-track cassette rig in the comfort of her own home- each chord struck exhales from the gear and onto magnetic tape, finding its true north, and throwing sand on the bonfire before it burns the foundation. First thought/best thought improvisations naturally trickling down and turning puddles into expansive streams of sound.

The opener, “Some Answer” seems to not have any question before it. As if it has always just been. A mode of intrinsic acceptance. Middleman confidently reigns in atonal midrange melodies and lets them rest in the bottom of the ocean. Every new movement coming up for air. Reviving consciousness, and letting go once more. The small combo amp on the recordings sounds like it’s being overloaded and exploding into a peace sign, before fading into the next tune.

The title track, “Variable Happiness” suggests that serenity is found within acceptance. It begins with a warm, simple, and circular groove. Bridging the giant landmasses of Fleetwood Mac’s “Albatross” and Loren Connors. The light boogie has surgical tremolo dirge doing major brain work and re-wiring. Coming in and out of a hiccup. An easy meditation that sounds like laying on the perfect area rug after the perfect day.

“Come Down From That Tree Now” isn’t so much a command as it is a peaceful suggestion. A neon glazed layer of arpeggios sits in the background, while Middleman wails fully in the foreground. An amalgamation that sounds like Windy and Carl records being blown apart by firecrackers in a bucket.

Through these six honey-soaked, deeply psychedelic, overdriven ohm-style meditations, “Variable Happiness” showcases the prodigious left-hand melodies, and ball peen hammer attack of Middleman’s right hand. Striking with great patience and humility. A true-blue guitar denizen of a heady state. A new benchmark in solo guitar recordings.

Each tune kicks the can down the dirt road a bit further, knowing it will eventually reach Valhalla. Remaining present and accepting happiness on a sliding scale. As varied as joy may be, these tunes suggest we can arrest the negative with meditation and patience.

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Untitled Project 42

Skunk Sessions Psychedelic Circus: The Music of Bob Dylan Reimagined

MAY 23 @ 8PM | DOORS 7PM | UPSTAIRS

Join us for funky, far-out Bob Dylan reimagined w/ a liquid-light spectacle, powerhouse vocals from Amy Gallo, & a second-set jam party that blasts off into full psychedelic improv.

Skunk Sessions is back with their Psychedelic Circus concert series featuring the Liquid Light Brothers amazing light show. This time the band is reimagining the music of Bob Dylan with the whole first set being funky, beautiful, and psychedelic arrangements of Dylan’s music, then the second set being a more typical Skunk Sessions Jam Party. This show will also feature the one and only Amy Gallo joining on Vocals. As many people already know, this band is jams at there best….Brought to you by a Super-Group of musicians from the Salem Massachusetts area. Brandon Tarricone, Eric Reardon, Theo Brierley, and Derek Hayden are the core forces behind this powerful music. This is no typical cover band, as they have a huge list of original material to prove it, yet they consistently jam in and out of clutch covers throughout their greatly varying shows (this one featuring Dylan’s music).  This approach takes audiences on a fresh musical journey each night by integrating in songs everyone loves, with their original material, from a huge, and always growing song book.

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SUNNY WAR

Sunny War

JUNE 21 @ 7PM | DOORS 6PM | UPSTAIRS

Sunny War brings her fearless blend of folk, punk, & blues back to The Press Room—haunting songs, jaw-dropping guitar work, and one of the most singular voices in modern roots music.

Sunny War (Sydney Ward) returns with Armageddon in a Summer Dress, a haunting, genre-blurring record inspired by a strange period living alone in her late father’s century-old Chattanooga home—where gas-leak hallucinations of ghosts sparked songs about memory, loss, and the many versions of ourselves we leave behind. Following the breakthrough of Anarchist Gospel and tours with artists like Bonnie Raitt and Mitski, War poured herself into obsessive home demos—playing nearly every instrument—to build a bigger, more electric sound that expands her signature fusion of folk, punk, blues, and roots music. The result is a fearless, deeply personal album that summons collaborators ranging from anarcho-punk legend Steve Ignorant to Valerie June, while continuing War’s lifelong mission to blur genre boundaries and channel music’s outsider spirit into songs that are both darkly reflective and defiantly life-affirming.

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big kid prom

Cotillion Bureau and Big Kids Prom Present: DECADE DISCO feat. DJ Skooch

JUNE 26 @ 8PM | DOORS 8PM | UPSTAIRS

The annual Big Kids Prom benefit event is being TAKEN OVER this year by Cotillion Bureau to celebrate their 10th Anniversary! Come join us for a Decade Disco to raise money for ARS (AIDS Response Seacoast) and celebrate our 10th year in business.

For more information: www.instagram.com/bigkidsprom or www.instagram.com/cotillionbureau.

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Tre. Charles Press Room flyer

Tre. Charles

JULY 20 @ 7PM | DOORS 6PM | UPSTAIRS

Tre. Charles is an alternative/indie soul visionary blending vulnerable storytelling, future-leaning soundscapes, & festival-tested energy into a deeply moving live experience that hits as hard emotionally as it grooves sonically.

The nomadic, self-taught, soul searching troubadour has effectively and dynamically been able to disassemble the idea of an artist needing to be accredited to be accomplished. With an old soul and a fresh perspective, he has cultivated soundscapes and wave therapy on some of the musical worlds biggest stages such as Newport Jazz Festival, TEDx, and NPR while simultaneously staying steadfast in his belief of authentic quality over quantity; and it is with that stance that Charles has acquired cosigns from the likes of GRAMMY AWARD winning artists such as Son Little, Cedric Burnside, and Hip-Hop legends Digable Planets and Arrested Development; of which he has been direct support on a string of sold out shows. The D’angelico Guitars and Supro endorsed Charles’s inquisitive introspection has caught the attention of over 300k listeners across streaming platforms; not to mention the countless listeners he has captivated at venues, festivals, and conferences. His unique sonics have entertained and helped heal those who have listened, and Charles plans to continue that standard with his newest EP, “Here We Are.”, ushering in a new era; elevating his artistry and vision to new heights once again.

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